October 16, 2023, HOUSTON, TX – Congressional Candidate Amanda Edwards has raised over $1 million in less than 4 months, a substantial sum that helps bolster the frontrunner status of the former At-Large Houston City Council Member in her bid for U.S. Congress. Edwards raised over $433,000 in Q3 of 2023. This strong Q3 report expands on a successful Q2 where Edwards announced just 11 days after declaring her candidacy that she had raised over $600,000. With over $829,000 in cash-on-hand at the end of the September 30th financial reporting period, Edwards proves again that she is the clear frontrunner in the race. “I am beyond grateful for the strong outpouring of support that will help me to win this race and serve the incredible people of the 18th Congressional District,” said Edwards. “We are at a critical juncture in our nation’s trajectory, and we need to send servant leaders to Congress who can deliver the results the community deserves. The strong support from our supporters will help us to cultivate an 18th Congressional District where everyone in it can thrive.” Edwards said. “Amanda understands the challenges that the hard-working folks of the 18th Congressional District face because she has never lost sight of who she is or where she comes from; she was born and raised right here in the 18th Congressional District of Houston,” said Kathryn McNiel, spokesperson for Edwards’ campaign. Edwards has been endorsed by Higher Heights PAC, Collective PAC, Krimson PAC, and the Brady PAC. She has also been supported by Beto O’Rourke, among many others. About Amanda: Amanda is a native Houstonian, attorney and former At-Large Houston City Council Member. Amanda is a graduate of Eisenhower High School in Aldine ISD. Edwards earned a B.A. from Emory University and a J.D. from Harvard Law School. Edwards practiced law at Vinson & Elkins LLP and Bracewell LLP before entering public service. Edwards is a life-long member of St. Monica Catholic Church in Acres Homes. For more information, please visit www.edwardsforhouston.com
As September 13th rolls around, we extend our warmest birthday wishes to the creative powerhouse, Tyler Perry, a man whose indomitable spirit and groundbreaking work have left an indelible mark on the world of entertainment. With his multifaceted talents as an actor, playwright, screenwriter, producer, and director, Tyler Perry has not only entertained but also inspired audiences worldwide, particularly within the African-American community, where his influence and role have been nothing short of powerful. Born in New Orleans, Louisiana, in 1969, Tyler Perry’s journey to stardom was a path riddled with adversity. Raised in a turbulent household, he found refuge in writing, using it as a therapeutic outlet. This period of introspection gave rise to one of his most iconic creations, Madea, a vivacious, no-nonsense grandmother who would later become a beloved figure in Perry’s works, offering a unique blend of humor and profound life lessons. Despite facing numerous challenges, including rejection and financial struggles, Perry’s determination and unwavering belief in his abilities propelled him forward. In 1992, he staged his first play, “I Know I’ve Been Changed,” which, although met with limited success, was a pivotal moment in his career. Unfazed by initial setbacks, Perry continued to hone his craft, and by 1998, he had successfully produced a string of stage plays that showcased his storytelling prowess.
Calling all teenage student-athletes! If you have dreams of playing college soccer and wish to represent an HBCU, the HBCU ID Camp is your golden opportunity. From 8 am to 5 pm on November 11-12, Houston Sports Park will transform into a hub for aspiring male and female soccer players. Coaches from HBCUs across the nation will be present to evaluate, scout, and offer valuable feedback. Moreover, they might even spot the next soccer prodigy to join their collegiate soccer programs. This camp is not just about honing your soccer skills but also a chance to connect with the HBCU soccer community. You’ll learn the ins and outs of what it takes to excel on the field and in the classroom, which is crucial for a college athlete. The HBCU ID Camp is an excellent platform to network with coaches, learn from experienced athletes, and take the first steps toward your college soccer journey. To secure your spot at this incredible event, don’t forget to register [here](insert registration link). Space is limited to 120 participants, so make sure to reserve your place before it’s too late. It’s time to turn your dreams of playing college soccer into a reality.
The beloved lies about America
White supremacists love their narratives of America. They spoon feed it to their children and force feed it to people of color.
When Francis Scott Key penned the lyrics for “The Star-Spangled Banner” in1814, stating that America was the “land of the free and home of the brave,” he crafted a stirring image of goodness and virtue. Who wouldn’t love and admire such a homeland?
But these high-minded sentiments were written by a racist and proponent of chattel slavery for Black Americans. Most disturbingly, the third verse of this song that would become America’s national anthem, proposed a particularly horrible fate for the once enslaved African Americans who were then fighting for the British in the War of 1812.
“No refuge could save the hireling and slave
From the terror or flight, or the gloom of the graves.”
These words were a clear call to slaughter people of color who dared to challenge the authority of white Americans.
America was never the land of the free. Just ask the descendants of the multitudes of the enslaved who had every manner of inhumane abuses handed to them. Or just ask the families of innocent and unarmed Black and brown men and women who have been gunned down in great numbers across America by police in recent years. This is the factual history that is woven into our culture, and this is the reality with which we live every day.
But now, there is a movement afoot by white supremacists to gaslight not only Americans of color, but the entire world that these injustices do not exist, and never did exist.
One particularly blatant example was the political maneuver by Virginia’s Republican Gov.-elect Glenn Youngkin when he claimed that he would ban Toni Morrison’s book “Beloved” from Virginia’s public schools. This attack by Youngkin on a book, which won the Pulitzer Prize for Fiction in 1988 and was written by the 1993 winner of the Nobel Prize in Literature, was clearly intended to be a loud dog whistle to the white supremacists whose votes he was courting. Youngkin’s campaign dug up a controversy from more than eight years ago to successfully whip his supporters into a frenzy of grievance politics that would drive them to the polls.
The truth of this matter is that while the pretext for attacking Toni Morrison’s book was its explicit references to sexual activity, it was not the sex that sent white supremacists into a rage, but the agonizingly embarrassing description of how enslaved Black people were treated in “the land of the free and the home of the brave.”
There are too many currents in “Beloved” to give a full account of the book here. But the core of the story’s horror is based upon a true account of the actions of an escaped slave, Margaret Garner. Rather than allow her children to be returned to the abomination of slavery by slave catchers who had tracked them down, Garner attempted to kill them all, but succeeded only in killing her 2-year-old daughter.
All of Garner’s children had been fathered by white men, including her owner’s brother, who had raped her during her years of enslavement. This revelation in “Beloved” rips the flesh from the mythical America of goodness and virtue. White fragility cannot abide a book that so unsparingly brings this type of evil to light with such glaring intensity. It pains the worshipers of the false god of white supremacy to see that its feet are made of clay.
Another attempt to keep the fiction of a noble America alive is the 1836 Project in Texas. Described by historians and educators as “propaganda that seeks to erase the role of slavery as a driving factor in the Texas Revolution,” the 1836 Project was a reaction to the New York Times’ 1619 Project, whose introductory essay, written by Nikole Hannah-Jones, garnered the 2020 Pulitzer Prize for Commentary.
While the 1619 Project laid bare the provable facts of slavery and racism in America’s past, the 1836 Project is a racist construct built of myth and undergirded by fantasy. The ridiculousness of the 1836 Project is easily exposed by the most cursory reading of the 1836 Constitution of the Republic of Texas. After Sam Houston’s army defeated the forces of Gen. Antonio López de Santa Anna and halted the northward march of the Mexican army to abolish slavery in Texas, the mostly European-American Texans formed a republic and installed a constitution.
Section 9 of the 1836 constitution of Texas read in part:
“All persons of color who were slaves for life previous to their emigration to Texas, and who are now held in bondage, shall remain in the like state of servitude, provide (sic) the said slave shall be the bona fide property of the person so holding said slave as aforesaid.”
“Congress shall pass no laws to prohibit emigrants from the United States of America from bringing their slaves into the Republic with them, and holding them by the same tenure by which such slaves were held in the United States.”
“[N]or shall Congress have power to emancipate slaves; nor shall any slave-holder be allowed to emancipate his or her slave or slaves, without the consent of Congress, unless he or she shall send his or her slave or slaves without the limits of the Republic.”
“No free person of African descent, either in whole or in part, shall be permitted to reside permanently in the Republic, without the consent of Congress.”
All this attention was given to the issue of slavery because Mexico had outlawed slavery in 1829 and the war surrounding the Battle of the Alamo was brought about because Texans refused to free their slaves. These are immutable historical facts, and unless Texas destroys all copies of its 1836 Constitution, the racism of Texas’ founding fathers is there for everyone to see.
It is not America that white supremacists love; it is the fiction about this country that is dear to their hearts. And we must never accept their beloved lies as our truths.
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