Freedom or death: In moving tribute, group reenacts largest slave rebellion in nation’s history

“It’s important for this generation to know that you’re not the descendants of slaves, but the descendants of people that were enslaved and you’re at your current position because of the resistance.” – Supporter, Slave Rebellion Reenactment

NEW ORLEANS – On Nov. 8 and 9, in Louisiana, American artist Dread Scott and a group of supporters examined a significant milestone in our nation’s past with his latest collaborative project, Slave Rebellion Reenactment (SRR), which reimagined the largest rebellion of enslaved people in the history of the United States. The project, a collaboration with New Orleans-based arts organization Antenna, is the result of a six-year artistic effort involving historians, artists and community members.

Through this work, Scott, alongside community reenactors, explored the complex history of enslaved people’s fight for freedom in the U.S. and beyond. The performance sought to recover and reclaim the narrative of the German Coast Uprising of 1811, first penned by pro-slavery politicians to suppress similar rebellions, through the lens of resistance and emancipation.

“This is an art performance about freedom, resistance, and hope. Enslaved people, despite their horrendous circumstances, embraced this radical vision and heroic pursuit for a future not only where they could be free from bondage, but end the institution of slavery altogether,” said Scott. “In addition to our country grappling with the long-reaching, present-day effects of slavery and oppression, it is important to acknowledge the power that resides in reimagining your own destiny. We can learn a great deal from the many stories of that era.”

Slave Rebellion Reenactment was a large-scale, community-engaged live art performance and film production. Set along the River Parishes in Louisiana, the 26-mile roving performance traveled over two days from St. John the Baptist Parish to St. Charles Parish, LA, retracing the route of the historic 1811 uprising, and concluded with a public celebration in New Orleans’ Congo Square inside Louis Armstrong Park.

 

 

The project marked the first time in history that the rebellion has been reenacted at this scope and scale, and made for an impressive sight — hundreds of Black reenactors, many on horses, dressed in period clothing, flags flying, singing in Creole and English to African drumming. The work of art was to inform, engage and invite reflection on how the past informs the present.

The artwork was produced in partnership with the New Orleans arts organization Antenna, which has been integral to the development of the project and is led by Bob Snead.

“Antenna is proud of the role we have played in presenting this incredibly ambitious project,” Snead said. “Slave Rebellion Reenactment is a defining moment for both our organization and art history. Having so many local community partner organizations and participating residents, this monumental work will no doubt set a new bar for community-engaged art practices.”

Slave Rebellion Reenactment has received support from VIA Art Fund, Ford Foundation, the Open Society Institute, Surdna Foundation, MAP Fund, A Blade of Grass, amongst many other supporters including over 500 individual donors. It was captured on film by acclaimed filmmaker and director John Akomfrah with Smoking Dogs Films.

To find out more information about SRR, visit:

 

October 16, 2023, HOUSTON, TX – Congressional Candidate Amanda Edwards has raised over $1 million in less than 4 months, a substantial sum that helps bolster the frontrunner status of the former At-Large Houston City Council Member in her bid for U.S. Congress. Edwards raised over $433,000 in Q3 of 2023. This strong Q3 report expands on a successful Q2 where Edwards announced just 11 days after declaring her candidacy that she had raised over $600,000. With over $829,000 in cash-on-hand at the end of the September 30th financial reporting period, Edwards proves again that she is the clear frontrunner in the race. “I am beyond grateful for the strong outpouring of support that will help me to win this race and serve the incredible people of the 18th Congressional District,” said Edwards. “We are at a critical juncture in our nation’s trajectory, and we need to send servant leaders to Congress who can deliver the results the community deserves. The strong support from our supporters will help us to cultivate an 18th Congressional District where everyone in it can thrive.” Edwards said. “Amanda understands the challenges that the hard-working folks of the 18th Congressional District face because she has never lost sight of who she is or where she comes from; she was born and raised right here in the 18th Congressional District of Houston,” said Kathryn McNiel, spokesperson for Edwards’ campaign. Edwards has been endorsed by Higher Heights PAC, Collective PAC, Krimson PAC, and the Brady PAC. She has also been supported by Beto O’Rourke, among many others. About Amanda: Amanda is a native Houstonian, attorney and former At-Large Houston City Council Member. Amanda is a graduate of Eisenhower High School in Aldine ISD. Edwards earned a B.A. from Emory University and a J.D. from Harvard Law School. Edwards practiced law at Vinson & Elkins LLP and Bracewell LLP before entering public service. Edwards is a life-long member of St. Monica Catholic Church in Acres Homes. For more information, please visit www.edwardsforhouston.com

As September 13th rolls around, we extend our warmest birthday wishes to the creative powerhouse, Tyler Perry, a man whose indomitable spirit and groundbreaking work have left an indelible mark on the world of entertainment. With his multifaceted talents as an actor, playwright, screenwriter, producer, and director, Tyler Perry has not only entertained but also inspired audiences worldwide, particularly within the African-American community, where his influence and role have been nothing short of powerful. Born in New Orleans, Louisiana, in 1969, Tyler Perry’s journey to stardom was a path riddled with adversity. Raised in a turbulent household, he found refuge in writing, using it as a therapeutic outlet. This period of introspection gave rise to one of his most iconic creations, Madea, a vivacious, no-nonsense grandmother who would later become a beloved figure in Perry’s works, offering a unique blend of humor and profound life lessons. Despite facing numerous challenges, including rejection and financial struggles, Perry’s determination and unwavering belief in his abilities propelled him forward. In 1992, he staged his first play, “I Know I’ve Been Changed,” which, although met with limited success, was a pivotal moment in his career. Unfazed by initial setbacks, Perry continued to hone his craft, and by 1998, he had successfully produced a string of stage plays that showcased his storytelling prowess.

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