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Dallas Black Dance Theatre And Broadway Dallas Partner With Dallas Independent School District To Continue Annual Arts Education Initiative

Dallas Black Dance Theatre And Broadway Dallas Partner With Dallas Independent School District To Continue Annual Arts Education Initiative

[Photo: dallasartsdistrict.org]

Dallas, TX – Dallas Black Dance Theatre (DBDT) and Broadway Dallas (BD) are continuing their annual arts education accessibility partnership with the Dallas Independent School District (DISD) for a fourth year. Originally started to bridge the gap in arts access during the pandemic, the partnership has grown into a yearly district-wide program each February that to date has served over 59,000 students.

Between February 5-16, 2024, Dallas Black Dance Theatre will present their Cultural Awareness virtual matinee to every student and grade level in the Dallas Independent School District during Black History Month 2024, which includes performances of the works in•ter•pret choreographed by Hope Boykin, For Etta, choreographed by Carmen Cage, a tap lecture and demonstration led by Sean J. Smith and Like Water, choreographed by Darrell Grand Moultrie. The virtual matinee is made possible at no charge by Broadway Dallas in partnership with Dallas Black Dance Theatre and Dallas Independent School District.

“This program advances the importance of cultural literacy for every student in Dallas ISD. We are fortunate to have partners like Dallas Black Dance Theatre and Broadway Dallas who are committed to making this happen and to invest in the education and lives of our students,” said Dr. Scott Rudes, Executive Director of Academic Enrichment and Support for Dallas Independent School District.

Designed to increase cultural literacy by providing access to all Dallas ISD students across grade levels and disciplines, this arts education initiative is in keeping with the mission of the National Endowment for the Arts, to support arts learning, affirm and celebrate America’s rich and diverse cultural heritage, and extend its work to promote equal access to the arts in every community across America.

Hope Boykin is a dancer and choreographer who created in•ter•pret for Dallas Black Dance Theatre in 2005 with funds by the Arts District Foundation. The work was reinterpreted in 2015 and was described by The Dallas Morning News as “one of the best pieces in the Dallas Black Dance Theatre repertory.” Boykin describes the piece as lighthearted, quick and whimsical with expansive full movement. A former dancer with the Alvin Ailey American Dance Theater for over 20 years, Boykin now serves as Artistic Advisor for Dance Education at the Kennedy Center and Artistic Lead for the Kennedy Center Dance Lab.

Carmen Cage is a current Dallas Black Dance Theatre dancer who has been with the company since 2021. She choreographed For Etta in 2021 and originally premiered during DBDT’s 2021/22 Black On Black series. The piece was imagined as an ode to Etta James, the “Madame of Blues,” who is considered a pioneering vocalist whose influence can be heard throughout R&B, rock ‘n’ roll, soul and jazz artists today.

Sean J. Smith is also a current Dallas Black Dance Theatre dancer and Co-Rehearsal Director who has been with the company since 2010. Smith has taught the Lester Horton technique for Ailey Athletic Boys (AAB), Dallas Black Dance Academy, and Southern Methodist University. He has also choreographed two works for Dallas Black Dance Theatre: Monologues (2013) and Interpretations (2017) and one work for DBDT: Encore!, Dollhouse (2015).

Darrell Grand Moultrie is an award-winning choreographer who was commissioned to create Like Water in 2021 for Jacob’s Pillow Dance Festival as the inaugural recipient of the Joan B. Hunter New Work Commission. He is a recipient of the 2007 Princess Grace Choreography Fellowship Award and has previously worked with Grammy Award-winning artist Beyoncé to create choreography for her Mrs. Carter World Tour.

For information on how Dallas ISD teachers can access this virtual student matinee performance, please contact Broadway Dallas Education & Community Partnerships department at education@broadwaydallas.org.

ABOUT DALLAS BLACK DANCE THEATRE
Founded in 1976 by Ann Williams, and currently under the direction of Melissa M. Young, Dallas Black Dance Theatre’s mission is to create and produce contemporary modern dance at the highest level of artistic excellence through performances and educational programs that bridge cultures and reach diverse communities. As the largest and oldest professional dance company in Dallas, DBDT is the fourth-largest Black dance company in the nation, the seventh-largest contemporary modern dance company, and ranked 36th among the nation’s leading ballet companies. Located in the thriving downtown Dallas Arts District, DBDT has performed worldwide for over 4.6 million arts patrons and 2.8 million students in 33 states and 16 countries on five continents. The performances include two Olympics (1996 & 2012), the nation’s most prestigious venues (Lincoln Center, Kennedy Center, Broadway, Jacob’s Pillow), and for such luminaries as Her Majesty Queen Elizabeth II and South African President Nelson Mandela. Since the pandemic began in 2020, DBDT performances have also been viewed virtually in 43 countries. The Company has been recognized by the National Endowment for the Arts as an American Masterpiece Touring Artist (2008) and received the Texas Medal of the Arts Award for Arts Education (2017).

For more details about Dallas Black Dance Theatre, visit ww.dbdt.com.

ABOUT BROADWAY DALLAS
In 2022, Dallas Summer Musicals changed its name to Broadway Dallas. Since 1941, the non-profit Broadway Dallas has presented the Best of Broadway to North Texas audiences. Located in the historic Music Hall at Fair Park, Broadway Dallas promotes excellence in live musical theatre with year-round performances for diverse audiences of all ages, impacting the lives of children and families through education and community outreach programs, while enriching the cultural landscape of North Texas and the Southwest Region.

As a 501(c)(3) non-profit organization, Broadway Dallas relies on a variety of funding sources to offer affordable ticket prices, preserve the beautiful historic theatre, educate young audiences and develop impactful community programs.

Broadway Dallas gratefully acknowledges the support of our season sponsors, annual fund donors and corporate partners Germania Insurance, American Airlines, Texas Instruments, The Dallas Morning News, and WFAA TV Channel 8. For more information about Broadway Dallas, visit our website at BroadwayDallas.org.

ABOUT DALLAS INDEPENDENT SCHOOL DISTRICT
The Dallas Independent School District (Dallas ISD) is continually preparing its more than 143,000 students for college or a career. The district offers a competitive mix of innovative programs, choice programs and instructional initiatives that support the increased academic achievement and the social and emotional development of its students. To learn more, visit www.dallasisd.org.

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October 16, 2023, HOUSTON, TX – Congressional Candidate Amanda Edwards has raised over $1 million in less than 4 months, a substantial sum that helps bolster the frontrunner status of the former At-Large Houston City Council Member in her bid for U.S. Congress. Edwards raised over $433,000 in Q3 of 2023. This strong Q3 report expands on a successful Q2 where Edwards announced just 11 days after declaring her candidacy that she had raised over $600,000. With over $829,000 in cash-on-hand at the end of the September 30th financial reporting period, Edwards proves again that she is the clear frontrunner in the race. “I am beyond grateful for the strong outpouring of support that will help me to win this race and serve the incredible people of the 18th Congressional District,” said Edwards. “We are at a critical juncture in our nation’s trajectory, and we need to send servant leaders to Congress who can deliver the results the community deserves. The strong support from our supporters will help us to cultivate an 18th Congressional District where everyone in it can thrive.” Edwards said. “Amanda understands the challenges that the hard-working folks of the 18th Congressional District face because she has never lost sight of who she is or where she comes from; she was born and raised right here in the 18th Congressional District of Houston,” said Kathryn McNiel, spokesperson for Edwards’ campaign. Edwards has been endorsed by Higher Heights PAC, Collective PAC, Krimson PAC, and the Brady PAC. She has also been supported by Beto O’Rourke, among many others. About Amanda: Amanda is a native Houstonian, attorney and former At-Large Houston City Council Member. Amanda is a graduate of Eisenhower High School in Aldine ISD. Edwards earned a B.A. from Emory University and a J.D. from Harvard Law School. Edwards practiced law at Vinson & Elkins LLP and Bracewell LLP before entering public service. Edwards is a life-long member of St. Monica Catholic Church in Acres Homes. For more information, please visit www.edwardsforhouston.com

As September 13th rolls around, we extend our warmest birthday wishes to the creative powerhouse, Tyler Perry, a man whose indomitable spirit and groundbreaking work have left an indelible mark on the world of entertainment. With his multifaceted talents as an actor, playwright, screenwriter, producer, and director, Tyler Perry has not only entertained but also inspired audiences worldwide, particularly within the African-American community, where his influence and role have been nothing short of powerful. Born in New Orleans, Louisiana, in 1969, Tyler Perry’s journey to stardom was a path riddled with adversity. Raised in a turbulent household, he found refuge in writing, using it as a therapeutic outlet. This period of introspection gave rise to one of his most iconic creations, Madea, a vivacious, no-nonsense grandmother who would later become a beloved figure in Perry’s works, offering a unique blend of humor and profound life lessons. Despite facing numerous challenges, including rejection and financial struggles, Perry’s determination and unwavering belief in his abilities propelled him forward. In 1992, he staged his first play, “I Know I’ve Been Changed,” which, although met with limited success, was a pivotal moment in his career. Unfazed by initial setbacks, Perry continued to hone his craft, and by 1998, he had successfully produced a string of stage plays that showcased his storytelling prowess.

Calling all teenage student-athletes! If you have dreams of playing college soccer and wish to represent an HBCU, the HBCU ID Camp is your golden opportunity. From 8 am to 5 pm on November 11-12, Houston Sports Park will transform into a hub for aspiring male and female soccer players. Coaches from HBCUs across the nation will be present to evaluate, scout, and offer valuable feedback. Moreover, they might even spot the next soccer prodigy to join their collegiate soccer programs. This camp is not just about honing your soccer skills but also a chance to connect with the HBCU soccer community. You’ll learn the ins and outs of what it takes to excel on the field and in the classroom, which is crucial for a college athlete. The HBCU ID Camp is an excellent platform to network with coaches, learn from experienced athletes, and take the first steps toward your college soccer journey. To secure your spot at this incredible event, don’t forget to register [here](insert registration link). Space is limited to 120 participants, so make sure to reserve your place before it’s too late. It’s time to turn your dreams of playing college soccer into a reality.

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